THE ANNOUNCEMENT
Every man is allowed to die once. We have been dying since eternity: one death for every day as one and apart.
Today is the announcement. Our ambulant dreams shall now stall. Having all assembled, we wait for the Vazir in anticipation to what he has to say and also to finally see him. Will everything change? So far we have only seen his hands on the silver screens lined on the streets from which we have always known him talking to his subjects. Those hands would gesticulate as he spoke. But when he proclaimed the announcement the hands were still as death. We could see the veins then, taut like vines in abeyance. We imagined the blue blood flow through them. A little shudder passed through us.
Later, he said that he would personally address the gathering. There was one massive shudder then followed by clamorous after-silence. Apprehension flowed through the barren streets isled by people standing in front of giant television screens watching a hand speak.
I alone was relieved.
I am not here for the announcement.
I have come to find her and having found her to look her in the eye.
  I
Once we were always together never looking each other by eye. Afraid of truths which only the glance departs, timid at the affinity of the union which only the eye can bring (the desire so extreme to remove the final barrier but protective of the comfort that anonymity brings, alas alas). Alas alas.
These are times of unreason. People change in metaphors. We started shedding off the body. Flakes littered the path we trod (I conjecture the disorder’s infestation to be the force anti-force resulting from the conflict of our desires fears).
How is it that which we fear and do our best to avert finally end up consuming us because we tried to do so? What is this parody? Why are there only evenings in this age?
Today is like the day before she left. I remember us walking beneath the open sky with twilight eating us in its early gloom and me holding her hand tight and she letting me do it. Thus we walked till the end where we sat down and watched the palm trees sway to the molten breeze. The world was a shade of fire-brown then. Today is somewhat like that. When my palms were wet with sweat as I held her hands tight. It must have hurt her a little but she let me do it then.
  II
I stood at the portal watching her go and she turned. At that moment of time, had I returned the look, folly would have been averted.
From folly has sprung repentance, remorse, regret -- the disorder has struck me again. That it was she who took the chance; that it was I who refused the dice. But the change is different, in that whereas previously I changed form and face to become plain (or faceless), the present transmogrification is making me grotesque. Exacerbating the pain is the realisation that she, because of her willingness to look me in the eye, must have metamorphosed to something more beautiful, like a whitewashed second sky. I want to therefore look her in the eye and return to my original form, face and feature.
  III
I promise myself that my story shall be of hope and end in fruition. I keep promising myself that.
I was the first to come here in this large slab of land carved from the tundra to stand the living world. I wanted to stand near the gate and watch each one come in. Then I will spot her and having spotted her look her in the eye. There is a problem though.
Having never looked at her, I do not know her appearance. How do you find someone whom you never saw and who has since changed form twice? The only way is to look her in the eye because having never done so, once I do it, I will instantly recognize her. Logics must swirl or they lead you to a judgment.
  IV
I was therefore the first to be here -- even before the shanty dwellers who were evicted to make way for the maidan. Giant siphons spouting mineral water (no less) washed the bare earth clean of the excrement which these shanty dwellers for want of space had spread. These evicted ones are also here. They are curious to their fate. They do not know whether, once the announcement done, the Vazir has decreed them to return. They miss their homes. They cannot sleep without the stench of shit.
  V
What is better: a staff or a block of stone on the weary back?
Who is better off: a soldier in the army of notaries or a poet-who-does-not-war?
The poets-who-do-not-war carried this huge block of stone together in regiment. This is the Vazir’s stage from where he will speak. The Vazir decreed them to the bottom when he reviewed the order. They were relegated because possessing all the mannerisms, eccentricities and temperament of poets, they refused to poetise because they did not want to. They did not even serve the necessity of unfructuous dissent. So one day from the screens, the hand pointed its shaking index finger and it spoke ‘Down’. The notaries immediately rounded them up. The poets-who-do-not-war were easy to recognise – sophisticated, clean but short and three front teeth missing.
(Here, I shall interject to mention my personal poet-who-did-not-war. He had sheaves of paper on which he constantly wrote. But whenever we tried to sneak a glance, the papers were always the blank side up rustling on his lap. One day, and this was long ago, much older than this age, together we forced the papers off him, looked behind the mystery and saw
The whole U in your eyes
The whole U in your eyes
The whole U in your eyes
The whole U in your eyes
The whole U in your eyes
U for Universe. He was also rounded up. I tell you this to make you understand why it was so perilous to look her in the eye. I refused to be a poet-who-does-not war. I did not want to be rounded up)
The notaries were also short but had all their teeth intact. They carried the staff with pride. They were given it when the Vazir decided that policing is best when it rests with those who channel the protest. On the other hand, the notaries were genetically incapable of aspersions to power having for centuries only attested petitions. Up.
  V
Once when we were always together never looking each other in the eye, we were individuals on longer. We were, I can safely say, one. Thus having given ourselves up to the togetherness, we escaped the Vazir’s plan to create a uniscient society of no self.
After she has left, I have felt my self dissolving in waves with the Vazir’s. It is a luxury that scares me. I want me to be me and for that I must find her and having found her look her in the eye.
  VI
I was the first to be here. I wanted to stand near the gate and watch each one come in. The maidan however had no gate. It just stood there open, far and beyond. It will be difficult now. I will just have to move and keep moving, look and keep looking, for an eye that I will recognise because I have avoided it always.
  VII
There the gypsies shorn of sleep, there the clerk with eyes always in shade, there the women of paint, there they who live with the ghosts of the dead (whom they refuse to leave and who therefore do not leave them), there the swamis of power, the seducers, the survivors, there the poets-who-do-not war, the heroes who do not dare, there the judges who pass the limited judgments, there the eunuchs of fractured dreams, there the shaking bottlemen, there beauty hidden behind seven veils, spotless white and fresh as cold water, there the women, the lamenters, the managers…so many, so many people.
There a murmur, murmurs, murmursssss. The announcement?
There the Vazir. No, not the Vazir.
  VIII
No, not the Vazir. I should not look at the Vazir. Or should I? (What is after all the value of an eye?) No one knows what will be said. Oblivion heralded; castes reworked; return to the penury principle; termination by random numbers: what is definite is that there will be change. Does his very arrival in person not signal that. Change will follow no curve. Change has already swept me in its wake; I chose it when I decided to find her and having found her to look her in the eye. I must choose again. Shall I abandon my search and look at the Vazir and hear what he has to say? Or shall I continue it knowing well that I shall fail? It is getting late. The night is getting darker still.
Subscribe to:
Post Comments (Atom)
1 comment:
i know what i'm gonna do...
look her in the eye...
:)
Post a Comment